Marc Bolan Predicted Carcosa Back in 1977!

The Witch-Man of Hackney with his familiar, Utargh-Thun the Devourer.

It's true.

From "Crimson Moon", a track from the final T. Rex album Dandy in the Underworld.

I'm a chartreuse lover

I'm an indigo man

In the black of the night

I'll hold your lily white hand

Under the crimson moon

Marc Bolan: Electric Warrior, Child of the Revolution, OSR Nostradamus.

When GW Was Quirky and Interesting and More Interested In Making Cool Shit Than Issuing Cease- And- Desist Orders OR: The Games Workshop Staff, Circa 1987

Looking at the incredible pics Jeff put up recently from the 1983 Citadel Compendium put me on mind of one of my favorite pieces from the original (1987) version of Rogue Trader.  It's a group caricature portrait of the GW staff at the time, done up in the early gonzo form of what would become the 40k aesthetic.

To me, it's emblematic of GW's shift from the quirky, individual, and interesting to the dull, impersonal, and monolithic.  I think this comes across in every aspect of the company's output.  The artwork becomes more consistent and technically refined, but loses the odd, personal, sometimes wildly divergent work of artists like John Blanche, Ian Miller, John Sibbick (remember the punked-out dwarf hacking through the goblin on the over of WFRP 1st ed?), and Martin McKenna, who did the group portrait above and whose pencil work can be found throughout a lot of early WFRP stuff (he did all the interior illos for The Enemy Within: Death on the Reik, for instance) , resulting in a comparatively stagnant, predictable, uniform aesthetic that has more to do with maintaining "brand identity" than anything else.  White Dwarf's past awesomeness and sad metamorphosis into little more than a glossy advertising brochure is already well documented here and elsewhere.

I was going to go off on an extended diatribe on the loss of the individual voice/personal aesthetics/creative risk-taking in gaming products and publications, conformity and corporate culture, and a little pom-pom twirling on how, with the OSR and the the indie gaming scene, we're seeing a resurgence in the sort of distinctive personal blah blah blah.... but if you're reading this, you've probably already read several of those, with better writing, stronger arguments, and more exhaustive detail, so for now, I'm just going to say OH MY GOD LOOK AT THAT PICTURE OF MUTANT SPACE PUNK GAME DESIGNERS WITH RAYGUNS AND CHAINSAWS.

Well, So Much For the Whole "Frequent Updates" Thing...

Two weeks already.  I'd meant to be more diligent about updating this thing, but time seems to have slipped away from me.  Anyway, a few updates:

1.  Oriax is not dead, but it has changed shape and location.  More on that shortly.

2.  I've started showing my artwork at the ZaPow gallery here in downtown Asheville.  We're having a party/opening on Feb. 11th, and I'll have a few pieces up for the occasion.  There will be live music, free beer, and free ice cream.  Anyone who doesn't like at least one of those things is very possibly a Reptoid, or one of the aliens from They Live.  They probably also hate laughter, oral sex, monster movies, pretty sunsets, and all mammals.  Defy them and attend, at least in spirit.  Read more about the event here.

3. Hugo le Bâtard, my character in Jeff Rients' Caves of Myrddin game, has, in collaboration with Darf the Dwarf, opened up a new den of vice and iniquity on the grounds of Hugo's manor house in Cornwall.

Le Lapin Bleu is open for business, and now sports its very own blog.  Featuring an expanded set of results for Jeff's famous Carousing Table (as well as an expanded wine list and floor show entertainment), make The Blue Rabbit your FLAILSNAILS PC's #1 destination for spending your ill-gotten loot in style (and away from those busybodies at the Abbey guesthouse).  

GM Questionnaire... the Answers May Surprise You!

Since all the cool kids are doing it:

(from here)

1. If you had to pick a single invention in a game you were most proud of what would it be?


I really liked the necromancy-practicing were-owls I came up with for World of Darkness: Changing Breeds, though I have no idea if anyone ever used them in their own games.


2. When was the last time you GMed?


Way back in Dec. 2, 2011.


3. When was the last time you played?


Jan. 9, 2012 -- I played Hugo le Bâtard, and we ventured into Michael Moscrip's Castle Nicodemus. Vampire books, man. Vampire books.


4. Give us a one-sentence pitch for an adventure you haven't run but would like to.


Bookhounds of Sigil -- you're all skeevy book-trade types dealing with murder, extortion, and rare volumes in a city that's a multplanar nexus point.


5. What do you do while you wait for players to do things?


Jot down little notes to myself, offer unhelpful suggestions.


6. What, if anything, do you eat while you play?


It depends on the time of day. Lately, I've just been playing over G+, so I might have a snack in the evening, or an egg sandwich and a cup of coffee if I'm in Jeff's game at insane o'clock in the morning.


7. Do you find GMing physically exhausting?


Not usually.


8. What was the last interesting (to you, anyway) thing you remember a PC you were running doing?



Co-opening a tavern/cabaret/den of ill repute on the grounds of a manor house in Cornwall.


9. Do your players take your serious setting and make it unserious? Vice versa? Neither?


It's usually a mix. There's the inevitable injection of occasional silliness that occurs whenever a setting is exposed to actual players, but in the past, I've had players do the opposite. I had a character start out as a Skaven captive, which I played fairly lightly, but the player took it to some very dark places indeed.


10. What do you do with goblins?


I haven't done anything with them yet. If I did anything with them, I'd probably use GURPS: Goblins as a source, with the goblins being of variable shape and size depending on their environment/abuses suffered. At one point, I thought it would be interesting if they needed a human to act as their king (I'm thinking of David Bowie in Labyrinth), and they'd find (and abduct) the new king based on a grotesque version of the tests Tibetan monks run through when trying to find the new Dalai Lama.


11. What was the last non-RPG thing you saw that you converted into game material (background, setting, trap, etc.)?


I watched Zardoz again the other night, and swiped several elements from the movie (Zardoz himself, the exterminators, the vortex, etc.) for my campaign setting. The effete, self-destructive Immortals are informing the way I'm handling elves in my game.


12. What's the funniest table moment you can remember right now?


The one that jumps out at me first is from my EPT game. Matthew Miller's character nimbly scales a wall, only to be fried to a crisp by multiple laser beams. The subsequent conversation between the party sorcerer and Matthew's character's ghost made things even funnier.


13. What was the last game book you looked at--aside from things you referenced in a game--why were you looking at it?


Carcosa, because it had just arrived in the mail.


14. Who's your idea of the perfect RPG illustrator?


It really depends on the game, setting, tone, etc. That said, Gustave Dore' was pretty flexable. He could do comic, absurd, creepy, and awe-inspiring -- sometimes in the same illustration.


15. Does your game ever make your players genuinely afraid?


I've been told I've creeped players out before (in a good way), but I dunno about genuine fear.


16. What was the best time you ever had running an adventure you didn't write? (If ever)


Probably The Great Pendragon Campaign, though it unfortunately died before we even got to Arthur's conception. The players were so into the spirit of the thing -- going on quests, fighting Saxons, fathering bastards, etc.


17. What would be the ideal physical set up to run a game in?


Up here in the Appalachian mountains -- outside on a large table after food had been cleared away. It's a crisp early autumn or late summer evening, and there's a few beers and a couple bottles on wine on the table.


18. If you had to think of the two most disparate games or game products that you like what would they be?


The Extraordinary Adventures of Baron Munchausen and Unknown Armies.


19. If you had to think of the most disparate influences overall on your game, what would they be?


William Blake, James Branch Cabell, and Hollow Earth theories.


20. As a GM, what kind of player do you want at your table?


Clever, easy-going, with a good sense of humor.


21. What's a real life experience you've translated into game terms?


When I was a Classics student, we translated, analyzed, and discussed a lot of Latin poetry. I was in an experimental free-form play-by-post Planescape game once where we took turns GMing in a variety of styles, formats, and POVs. One of my segments was a parody of those exercises and class discussions, with the action of the story being the poem being translated and (erroneously) analysed by students.


22. Is there an RPG product that you wish existed but doesn't?


I want a Call of Cthulhu sourcebook on occult LA -- especially Hollywood -- say from the Silent era to the early '70s.


23. Is there anyone you know who you talk about RPGs with who doesn't play? How do those conversations go?


I don't really talk about RPGs with people who don't play, as I think I'd bore them senseless. My wife has played in the past, and probably will do so again in the future, but it's more of a thing she does with me than something she has a strong interest in for its own sake. But I bounce ideas off her and ask for suggestions all the time. She's a sci-fi/fantasy writer.

[Psychedelic Warlords] Starting Campaign Setting: the Planet Oriax

So I've been giving some thought to the actual setting for this thing.  The idea is to start out on a central hex on one planet, and then expand from there as the players see fit.  This limits the scope of the campaign at the beginning, but I find that narrowing down your options at the very start allows for a much easier "buy-in" from players.  This way, their options and opportunities for adventure can expand in response to the players' actions and interests.  Also, I don't have a huge amount of time for prep, and I'm chronically indecisive.  This takes a lot of the burden off of my hands by presenting me with fewer decisions to make over a longer stretch of time.

Anyway, here's what I've come up with so far:

The Planet Oriax, at various points in its history, has been:

- A poisonous, chaotic hellscape - the screaming, malformed, botched abortion of a degenerate star.  This rather overheated description can be found in the otherwise sober planetary historian Yivok the Lesser's Lives of the Planets.  He maintained throughout his life a particularly violent and irrational dislike for the planet.  He would never mention its name directly, referring to it as either "that spherical blasphemy" or, more cryptically, "the bloodshot eye of the anti-Father."  When near death, he reportedly asked to be carried out to an orbital observation deck where Oriax could be observed by long-range telescope.  Peering through the screen, he excitedly made an obscene gesture in the direction of the planet before expiring, a smile on his withered lips.

- The plaything of a generally irresponsible pantheon of Kirbyesque alien space gods, some of whose descendants exist today.

-  The capitol world of at least two galaxy-spanning empires

- A penal colony -- a dumping ground for all manner of criminals, heretics, and madmen.

- A pilgrimage site, famous for its monumental reliquaries, within whose gem-encrusted frames were housed the calcified bones of martyred titan-saints, standing in eternal vigil.

- A hedonic paradise of glittering palaces, calm oceans, and lush pleasure-gardens, serving a technologically and socially advanced society.

At present, it's a blasted, post-apocalyptic wasteland..  There are still forests, seas, jungles, and glaciers, but much of the planet's surface has been given over to desert.  The planet's littered with ruined cities and monuments, and the bones of massive extinct beasts bleaching under the harsh sun.  Warp-storms crackle across the landscape with alarming frequency, tearing open temporary holes in the fabric of space-time, and leaving madness and mutation in their wake.  The great, continent-spanning civilizations of the past have fragmented into small, isolated communities, whose eccentricities have only become more pronounced in isolation.  The immortal descendants of ancient Sorcerer-kings spend their days in drug-induced reverie and petty intrigue.  Some of these forsake their immortality and leave the safety of their hermetically-sealed crystalline palaces to seek adventure and death in the lands beyond.  Rival warlords jockey for position.  A few would-be conquerors have attempted to form empires, but so far, the largest political entities are independent towns and loosely-allied city-states.  The lands between are filled with strange and terrifying creatures, treacherous geography, fanatical cults, bands of predatory mutants, and the laboratory strongholds of mad wizards.

Oriax today is far from the center of interplanetary politics and trade, and its relative obscurity, dangerous reputation, and lack of many modern amenities make it an unpopular destination for casual tourists, though a few thrill-seekers arrive each solar year.  The bulk of off-worlders are adventurers of some description, lured by tales of vast, half-buried wealth, or with ambitions to carve out their own petty kingdoms in a savage world, far from the confines and strictures of life on the core planets.  Along with these trickle in a disparate collection of fugitives, refugees, exiles, explorers, spies, heretics, archaeologists, missionaries, and the sort of dangerous eccentrics who can find no employment in civilized space.


NEXT: The Free Town of Pazuzu: part Deadwood, part Tangier -- smack dab in the center of the starting hex.

Psychedelic Warlords: Appendix N in Pictures

So I'm working on a home campaign of my own for ConstantCon.  I plan to do Galbaruc eventually, but with that one, I think I often get bogged down in "getting the tone just right," and developing it as an internally consistent setting.  For right now, I thought it would be fun to throw logic and internal consistency out the window and go with something that's been lurking inchoate in the back of my mind for a while.


Here's what I'm going for:

Brief End-of-the-Year Omphaloskepsis

So I started this thing back in July with this :

I'm starting this blog as a spur for creativity and production, and as an attempt to get past my habits of procrastination, chronic laziness, crippling self-doubt and perfectionism to actually produce something and put it out there for people to see. Time will tell.

It's ostensibly a gaming blog focusing on material for tabletop RPGs, but I'm expecting to veer off into other subjects with some frequency-- movies, comic books, fantasy, horror, science fiction, reviews and essays, and any random things I get interested in or obsessed with. Possibly some fiction as well, though that'll probably be quarantined in its own section.

Let's look at that in some more detail:

"I'm starting this because blah blah crippling self doubt I never get anything done blah blah."

- If that's my stated purpose for doing the blog, I think it's helping me achieve it. I've gone from producing practically nothing to coming out with a good handful of gameable tools, occasional articles, actual play reports, and miscellaneous bullshit -- and it's all been generally well-received. 51 people are publicly following the blog, which is far more than I had imagined going in. So far, the few extended conversations in the comments have been interesting and civil. This positive response has fueled my desire to produce more stuff, which people seem to be using, which makes me happy, and want to produce more, etc. etc.

The other part hasn't quite played out as I'd planned. No real reviews, not a whole lot in the way of essays, and very little on movies, books, and other media. On the other hand, I don't mention artwork at all, and I've done a lot more of that in the past few months than I have in years. I've got a bunch of pieces in Secret Santicore, and another that I hope to see in a published supplement sometime in the new year. In the mean time, I'm gearing up for some collaborative work with my pal Nathan Ballingrud, and I'm working on scraping the rust off my skills and developing them further.

I'm always terrible about keeping New Year's resolutions, so I'm not going to list any here. I'll leave it at this: Personally and creatively, I'm in a better place now than I was at the end of 2010, and I think 2012's going to be even better.

Have a happy New Year, everyone!

Secret Santicore is loose! Head for the Hills!

Thundering out of the post-Christmas haze like a turkey dinner washed down with too much eggnog,* the Secret Santicore pdf comes winging its way to gamers worldwide, for the low, low price of absolutely nothing.  This notice is a bit self-serving, as I've got some art and writing in it, but all glory to Jez Gordon, who lingered in a vale of ashes, tears, and layout issues that the rest of us might bask in the gaming Nirvana that is the finished work.  One Hundred and Four pages of decadent, deliriously delicious DIY D&D** delights for your table.

*I'm sure there's a more appropriate metaphor, but I'm in a hurry, here.
** There's at least some Shadowrun and Mutant Future stuff as well, but alliteration, man.

Secret Santicore: New Fantasy Race: VAT- SPAWN

I never got the requester's name, but here's my entry for Secret Santicore this year:

Request: Dear Secret Santicore...


I request a new fantasy race, not system specific so pick whatever one you are most comfortable with or go system-less.


Thank you very much!

Well, here goes:

Vat-Spawn
by Jeremy Duncan

The sorcerer-kings of old, already worshiped as living gods by their subjects, and having grown bored with merely warping and molding nature to their whim, sought to fully assume the mantle of godhood and create life itself. With arcane secrets dredged up from the earth and sea and called down from the stars, they set to work, their forbidden knowledge wed to the toil of a thousand slaves, alchemists, and sages. At the expense of vast wealth, countless lives, and unquantifiable human suffering, they at last achieved their goal, as the first tottering form rose by its own strength from the vats, to stand complete before its maker.

Pleased with their new plaything, the sorcerer-kings whiled away their idle hours by creating variations and refinements enough to satisfy their immortality-strained appetites. Whole armies of vat-spawn were called up to re-enact legendary battles or duel to the death in elaborately planned and scripted combats. Harems of pleasure-slaves, their every feature sculpted in exacting detail, were bred in the vats to serve at their makers' grand debauches, only to be dissolved again when their masters had tired of their ministrations. So it went, century after extravagant, heedless century, until at last the power of the sorcerer-kings waned, and their empires were toppled amid fire and slaughter. The sorcerer-kings were put to the sword, their pale, anemic blood seeping into the blackened earth to mingle with the spilled ichor of their artificial slaves.

While most of their kind were ruthlessly exterminated, a tiny minority escaped destruction, having been posted to remote corners of the world, or waiting in stasis in their vats in some hidden laboratory. Their makers long since dead, and their original purpose unknown, these creatures, upon awakening and learning something of the world, often turn to adventuring to satisfy their endless curiosity and challenge their strange abilities.

Each vat-spawn is a hairless humanoid, with height and weight in the standard human range, though their features are often somewhat alien to modern observers, recalling ethnicities no longer found among the contemporary population, but glimpsed on the pitted faces of ancient coins, and in worn bas-reliefs on the columns and pediments of sunken temples.

If undisturbed, Vat-spawn are functionally immortal, though they are as susceptible to violent death as any other adventurer. As they are inherently unnatural, they cannot be Raised after death, nor can they reincarnate. Whether they possess souls at all is a matter of considerable theological debate.

They possesses functional genitalia, but are completely sterile.

After every 100 years, the vat-spawn's memory and personality will reset, returning it to 1st level.

Vat-spawn have a vibrantly-colored ichor (roll on color chart) in their veins instead of blood. This ichor has many alleged magical properties, and unscrupulous Magic-Users are always on the lookout for experimental subjects.

All Vat-spawn can graft on and incorporate body parts from humanoids and other creatures, as long as there is sufficient space. Any special abilities or attacks inherent to those parts (a medusa's eyes, etc.) transfer to their new owner. Removing one limb, eye, hand, etc. to make room for a new part inflicts 1d4 damage, after which it it is rendered useless, withering away to nothing. Characters attempting to graft on a new part must Save vs. Poison + the creatures hit dice – PC's level. The grafting process requires one hour * ½ the creature's hit dice of uninterrupted concentration. There are undoubtedly opportunities for abuse, here, but just use common sense or whatever the GM thinks would be funniest.

Roll your character's Ability Scores as normal.

Roll twice (unless otherwise indicated) on Skin/Eye Color chart, twice on Variations A and twice on Variations B, re-rolling in the case of a conflicting result. These indicate the PCs original function, as well as any modifications during his/her unremembered past

d20	Skin/Eye Color	Variations A	Variations B
1	bottle green	Series Number and /or Function title dyed or embossed on skin.	You have infravision, but your eyes glow in the dark.
2	heliotrope	Someone did a half-assed job sculpting your face. - 3 to reaction rolls when/where applicable, but on the plus side, you can easily frighten small children.	Skin prominently stamped or dyed with personal rune of creator.
3	ocher	Skin embossed with a pattern (1-2) spirals (3-4) deep hatching) (5-6) A “Persian rug” pattern that changes with your mood.	One hand can semi-detach & extend + retract 50 ft., connected to arm by ropy tendons. Can support PC + 2d100 lbs and do any normal hand tasks.
4	vermillion	Your skin can temporarily take on the properties of any surface you touch for 2 rounds or more. You retain full flexibility and mobility, and skin reverts to normal in 1d6 turns, which you can extend by spending 1d4 HP per extra round.	Lungs can inflate to extraordinary capacity, meaning that you can go 1 hour of game time without having to breathe. DEX is halved, because you're walking around with your chest puffed out like a bullfrog.
5	turquoise	One forearm is a (1-2) mace (3-4) shortsword (5-6) axe. It does damage as usual and you get a +2 to hit, but you can't really do much else with it.	Your facial features are an exact replica of (1-2) Your creator's own (3-4) their most hated rival (5-6) a legendary hero/ine.
6	pearl	Silly-putty skin: you pick up shallow impressions of anything pressed against your bare skin. This also works with anything drawn or written in ink. Impression lasts 4 days.	You were a Pleasure-Slave! You have enhanced pheromones: +4 to reaction rolls when dealing with (1-4) humanoids of the appropriate persuasion (5-6) GM secretly rolls on wandering monster chart. Other complications may ensue. Also, take a +1 to DEX and CON-- what the hell. Also, your sweat is a mild aphrodisiac. If it's distilled and enters the bloodstream, it's a powerful aphrodisiac, unless they fail a save vs. poison roll, in which case, they take 3d6 damage.
7	indigo	Your body has been indelibly imprinted with (1) an epic poem (2 ) obscene doggerel in an unknown tongue (3) instructions for your intended master/overseer (4) a hymn in praise to a forgotten god (5) the formula for your creation, in an elaborate code (6) a spell (roll randomly )	You have a functional mouth with teeth, tongue, etc. on your (1-3) pick the palm of one hand (4-6) pick sole of one foot. Mouth does 1d4 damage in combat w/ a +2 to hit, can absorb and transfer 1 hp/damage inflicted up to max. Other applications at GM discretion.
8	carmine	Though you are completely hairless, your maker has given you stylized hair and/or a beard as with a clay sculpture.	You have d4 eyes in the back of your head. Cannot be surprised from behind unless wearing helmet.
9	black	You have a small, translucent, circular “panel” of skin over your (1-3) heart (4-6) intestines, allowing these organs to be observed.	The ichor you bleed is phosphorescent (as candle flame)
10	Mottled skin /different colored eyes (roll twice)	You have a ½” x 4” secret hollow compartment in your left forearm. Any item stored there is undetectable by mundane means.	You have gills. These are almost imperceptible slits in the side of your neck when outside water.. Underwater they open up and you can breathe normally.
11	mauve	Short, irregular spirals of a coral-like substance sprout from the top of your head (roll for color). You do an extra d4 damage with a headbutt, and the growths count as a helmet.	Designed for infiltration: +2 to DEX, chameleon skin: acts as Invisibility spell, but it hurts and you must be naked. Every round you have it activated, roll a d4. On an odd result, you take that much damage each time until you pass out.
12	charcoal	Eyes can extend/retract on flexible stalks up to 50 ft (while retaining function). While this is going on, you must remain absolutely still, and you are disoriented and completely helpless (worst possible AC) for one round after they pop back in.	Your bones are weirdly flexible and easy to dislocate. With one round's worth of preparation, you may squeeze into a space normally accessible to Small creatures, but your ST and DEX are halved until you are able to pop yourself back into place (1 round).
13	violet	Created for the Arena! : +2 to STR and CON, can spend 1d4 HP to immediately upon being hit to seal up wounds and take ½ damage. If the damage you would've taken was more than ½ current HP, you lose a limb (GM discretion) and gain a fresh, sealed-over stump.	Every 6 months of game time, your character molts, his/her skin flaking off to reveal new skin underneath. Roll again on color table for your brand new skin! Everything else remains as it was.
14	sky blue	Your ichor corrodes metals like a rust monster. When damaged, this applies to any metal armor you happen to be wearing. If you are struck and damaged by a metal or metal-tipped weapon, the attacker must roll a d6. On a 1-5, the weapon (or the metal part, anyway) dissolves into useless flakes of rust. Lots of other fun uses!	Your saliva acts as a hallucinogen. In addition to everything else that might imply, if a Magic-User drinks a few drops of it, mixed into any beverage, it will impart startling revelations of the cosmos and the innate mystic potential of every star, drop of rain, and blade of grass. When they recover in d20 hours, they will have gained a one-time permanent +1 bonus to WIS.
15	lime	When under considerable stress (like combat, taking a difficult exam, or being chased by monsters), your skin darkens slightly and hardens into tiny, raised spikes, like on a horned lizard, making you look even freakier and giving you a +1 bonus to AC. This effect lasts until the immediate danger is past. Depending on the material, your characters' clothing may then be covered with tiny holes. If PC is sneak- attacked, etc., the AC bonus isn't applied until after damage (if any) is taken.	An hour after grafting on a new part, and until that part is detached or destroyed, you gain the ability to verbally communicate with and understand members of that species. For responding to non-verbal forms of communication, you have some ability, but are still somewhat limited by your own anatomy. For example, you would be able to perceive and understand scent-messages left by creatures that communicated by smell, but you would not be able to leave messages of your own without incorporating the necessary scent-glands, etc.
16	crimson	You may perfectly mimic any sound you hear at least once, but the mimicry must be exact – no improvising.	Body covered in tiny, iridescent scales.
17	Two-toned (roll twice, decide areas of division)	You can absorb liquid through your pores at the rate of 1 pint/round, storing it in elastic subcutaneous pouches, to a maximum of 2 gallons, at which point, your Dex is halved until the moisture is expelled (the rate of which can be as fast or slow as the player desires).	Your hands and toes have tiny suction cups on them allowing you to climb up and down (and cling to: max weight= PC+2d100 lbs.) sheer surfaces if gloveless and barefoot.
18	puce	When struck and damaged by a (non magical) weapon, you may sacrifice an additional d4 hit points to make it stick – your flesh temporarily fuses with the striking surface, making it impossible for the wielder to dislodge it. The effect lasts 1d4 rounds + 1 for each point of damage the weapon originally inflicted.	Such is your physical control that you can stop your own heartbeat and cease breathing, entering into a state completely indistinguishable from death. Since Vat-spawn are immortal, this can theoretically last indefinitely. To come out of stasis, the PC must either set a time beforehand, or arrange some signal (a tap on the forehead, a whispered word in the ear). If the signal isn't given, the PC will remain in stasis forever, and the player should probably roll up a new character.
19	rust	You may transmit psychic messages via drops of your ichor, which may then be imbibed, injected, etc; by someone else. One word per drop. Message is not diluted if mixed with other liquids. Costs 1 HP, unless you're transmitting a novella or something.	Your body can secrete sharp, hardened darts, which can be fired (once/round) through the palm of your hand. You have a +1 to hit with this “weapon” and each dart does 1d6 damage. Range is 20 feet. Generating darts costs 1 HP each, which are restored after a full night's rest.
20	amber	Your skin is soft to the touch, but shiny and reflective like polished chrome. Opponents attacking you in bright sunlight (assuming at least some skin is visible) do so at a -2 penalty. Also, you have no body odor of any kind, making you impossible to track or detect by scent alone. The GM can impose penalties to attempts to hide as the situation warrants.	Your palate is super-sensitive, and you can clearly distinguish and identify the ingredients of any compound. You know the joke about the wine snob, where he's given a glass of someone's urine to drink, and then asked, “But whose is it?” Well, you can narrow it down to species (if that's an issue) sex, age, diet, and habits (smokes, uses expensive hair pomade, etc.).

Level	XP	Hit Points	Paralyze	Poison	Breath Weapon	Magical Device	Magic
1	0	1d8	10	8	12	14	15
2	2,500	+1d8	8	8	11	12	14
3	5,000	+1d8	8	8	10	12	14
4	10,000	+1d8	6	6	10	12	12
5	20,000	+1d8	4	6	8	12	12
6	40,000	+1d8	4	4	8	10	10
7	80,000	+1d8	4	4	8	10	10
8	160,000	+1d8	4	4	6	10	10
9	320,000	+1d8	4	2	6	8	10
10	480,000	+3*	2	2	4	8	8
11	720,000	+3*	2	2	4	6	8
12+	150,000/level	+3*/level	2	2	2	6	6

*constitution modifiers no longer apply

Galbaruc: Origins and 'Appendix N'

Since I've mentioned Galbaruc a few times now without giving out too much in the way of detail, I thought I'd take the opportunity to shed some more light on the setting itself, where it came from, where it's going, and what books, movies, etc, I've ripped off wholesale drawn inspiration from.

It started out as an ad hoc setting for a game I ran for some friends over IRC chat, sometime around 2003-4. The city was originally called "Venichmar," since I had pictured it in my head as a vague mashup of 17th-18th century Venice and Fritz Leiber's Lankhmar. It was only intended as a jokey placeholder, but the name stuck, though I always said I'd eventually come up with something else, but that wasn't until earlier this year, when I shoved it together with the seaside town I came up with for Chris Kutalik's Nautical Contest. The PCs originally consisted of:

- Marcos Gemulphen, played by my friend Clement. Marcos was a disgraced merchant-prince who was constantly shadowed by three demons he had summoned, but which only he could see and hear. Picture one of Jack Vance's stylish, amoral vagabonds.

- Durgu Nietzelschnitzel - an earth-sorcerer, philosopher, and skeptic. Based, at least in appearance, on Friedrich Nietzsche. Was constantly trying to argue against the literal existence of Marcos' demon companions. Played by my friend Jude.

- Arthurien La Fleur d'Avelin, esq., Gentleman Errant of the Elder branch of House Averoen, ruling family of Verrantz, Lieutenant in the Thaugarin Militia. Played by Doug, who I haven't heard from in years. Another privileged son of the elite, he was a roguish, hedonistic young military officer doing his utmost to shirk his duty. Could be incredibly reckless with his personal safety at times, on account of being a Struldbrug.

- Gurgie, Durdu's wayward son, appeared in one episode as the PCs found themselves stranded on the island where he had been exiled for unspecified crimes. If I remember correctly, this adventure resulted in the establishment of a Lord of the Flies- like cult based around the worship of Marcos' demons being established among the islanders (all exiled convicts).

Their adventures included:

- various comedy-of-manners intrigues involving inheritances, servant girls, distant relatives, debauchery, and attempted murder

- swordfights in alleyways with a gang of thugs and their pet monster

- taking refuge in a crumbling mansion inhabited by creepy undead monstrosities.

- Starting the adventure on trial for some unspecified offense which grew in the telling, and escaping the courtroom by means of a grain of sugar Durgu cast a spell on, which grew into an enormous sugarcane stalk. They climbed up and out of the courtroom on the stalk, at one point encountering some junior angels in one of the Lower Heavens, who they then blackmailed.

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The game was originally run using Over the Edge, and the feel I was going for was Baroque, Weird, and Picaresque. Eventually, the game just kind of fizzled out, but I kept it in the back of my mind as an interesting setting that I wanted to develop further.

Eventually, I want to open up the setting for some G+ games, using LotFP for the rules, with some houserules and parts of Small But Vicious Dog. Transferring the setting from its hippy-Narrativist roots to something more D&D oriented will be an interesting challenge, and whenever I start getting too precious about it, I remind myself of Tekumel. The setting is essentially the same across the board, but it supports a broad range of assumptions and play styles, from EPT's dungeon-crawling barbarians to Tsóludhàliyal's focus on the high-stakes adventures an maneuvering of wealthy elites.

Also, the setting is nicely amorphous -- I don't have a static, canonical list of factions, gods, and locations, and I can build it as I go. So far, this is what's established:

- The primary religion on Galbaruc is the Church of Urizen, though there's a multitude of former and indigenous minor gods, cults of former gods syncretized into saints, etc.

- Magic is largely practiced by secret schools, orders, and societies, which often have philosophical, social, and political interests. Magic-users operating outside these groups are viewed with a mixture of envy, disdain, suspicion, and murderous rage.

- While there is a traditional aristocracy, Galbaruc is a Republic, heavily based on pre-unification Venice.

- Galbaruc is a colorful, bizarre, decadent city -- a flurry of frenzied activity, sober tradition, and ecstatic ritual, set against a backdrop of slow, magnificent decay.

- There are islands some miles from the coast, ruled by semi-autonomous "Island Princes"-- descendants of slaves, pirates, and renegade nobles who were instrumental in fighting for the Republic's independence when it split from the Empire that had ruled it for centuries. In times of war, they supply ships, troops, and armaments to Galbaruc's navy. During times of peace, they busy themselves with internecine wars and deadly intrigues.

- The city-state is littered with ruins, catacombs, and strange, isolated communities.

If we apply Jeff Rient's threefold model, Galbaruc as a setting is largely made up of Pretentious, with Retro taking up a close second, and with a great big dollop of Stupid.

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'APPENDIX N'

- This list isn't nearly complete, but hopefully, it should give some idea of the setting, and the general feel I'm going for.

Literature:

Bey, Hakim - TAZ: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism
Blake, William - The Prophetic Books
Borges, Jorge Luis - misc. works
Boswell, James - Journals
Bunyan, John - The Pilgrim's Progress
Cabell, James Branch - Jurgen, etc.
Casanova, Giacomo - Memoirs
Fielding, Henry - The Adventures of Tom Jones, a Foundling and Joseph Andrews
Mandeville, John - The Travels of Sir John Mandeville
Potocki, Jan - The Manuscript Found in Saragossa
Rabelais, Francois - Gargantua and Pantagruel
Raspe, Rudolf Erich - The Surprising Adventures of Baron Munchausen
Stephenson, Neal - The Baroque Trilogy
Stevenson, Robert Louis - The Suicide Club and Other Stories
Swift, Jonathan - Gulliver's Travels
Vance, Jack - The Dying Earth, etc.
Vandermeer, Jeff - City of Saints & Madmen
Voltaire - Candide
Wilson, Robert Anton - The Historical Illuminatus Chronicles

Misc 'NonFiction':

The Elizabethan Underworld - Gamini Salgado
The Hell-Fire Clubs - Geoffrey Ashe
The Black Arts - Richard Cavendish
Ancient Wisdom and Secret Sects - Time-Life Books
London: The Synfulle Citie - E.J. Burford
Life in Dr. Johnson's London - Richard B. Schwartz
Special Cases: Natural Anomalies and Historical Monsters - Rosalind Purcell
The Morning of the Magicians - Louis Pauels and Jacques Bergier

GAMING:

Agone (Multisim)
Lace & Steel (AGC, Pharos Press)
GURPS: Goblins (Steve Jackson Games)
GURPS: Swashbucklers (Steve Jackson Games)
Flashing Blades
Planescape campaign setting (TSR)
The Dying Earth RPG (Pelgrane Press)
Over the Edge (Atlas Games)
Call of Cthulhu (Chaosium)
Stormbringer (Chaosium)
Vornheim: The Complete City Kit (LotFP)
In A Wicked Age (lumpley games)
Warhammer Fantasy Roleplay, 1st and 2nd ed. (Games Workshop, Hogshead Publishing, Black Industries)

FLICKS:

The Adventures of Baron Munchausen
The Brothers Grimm
Barry Lyndon
Joseph Andrews
Tom Jones (miniseries)
A lot of Hammer horror films
Naked Lunch
The Devils
Vidocq
The Saragossa Manuscript

Artwork:

Ian Miller
Mervyn Peake
Henry Fuseli
Egon Scheile
Gustav Klimt
William Hogarth
Gustav Dore
Harry Clarke
Aubrey Beardsley
Sidney Sime
Edmond Dulac
E.J. Sullivan
Rene Bull
Jean Delville
William Blake
Francisco de Goya
Gustave Moreau